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How to take a soulful portrait

October 3rd, 2008

 Today we bring you the first in a continuing series of articles written by some of our keen staff photographers.

It is every photographer’s goal when taking portraits: to show the subject’s soul.

That’s the only way for your audience to grasp the entirety of the person on the photo, and get to know your subject than just the color of the eyes or the age of the skin. When you capture the soul of a person on a photograph, a lot of things naturally follow: personality, heart, strength, experiences, humor, and priorities.
 
When you take photos of your kids, your wife, your friends, and even strangers in the streets, do you attempt to bare the story of their lives, their souls?
 
How do you make that happen? Is there a button on your camera that can do that? The bad news is that there is none. The good news is that there are tips you can rely on to help you and your camera do the trick.
 
1.      Go candid
Capture your subject’s normal, spontaneous behavior. Pre-arranged poses look unnatural and pretentious. Take their photos while they are around friends or family, while at work or playing, or while they’re doing something they love. This works particularly well when photographing kids.
 
2.      Eye Contact
As they say, the eyes are the windows to the soul. Usually, your subject’s eyes look down the lens and that creates a sense of connection between your subject and your audience. But you can also make them look elsewhere.
 
Ask your subject to look at something not seen on camera. This creates candidness and a bit of intrigue on the part of the audience because they wonder what the person on the photograph is looking at. Could it be his love interest, his favorite food, or the horizon? Why does your subject look intensely interested?
 
3.      Get closer
Tight shots reveal more details. Photograph faces real close. You can also choose just one part of the face or body—the lips, eyes, hands, hips, shoulder, or feet. These focused images will leave the viewers imagining about the rest. 
 
4.      Out of comfort zone
Stay away from cliché photo shoots: head and shoulder shots, desk shots, standing shots in front of the company emblem. Instead, push your subjects out of the box. Ask them to jump, make silly faces, bang their heads like rock stars, dive on their beds, or even do cartwheels. This will show how much a good sport the person is, and how much he can make fun of himself.
 
5.      Take a series of shots
Set your camera to Continuous Shooting or Burst mode and fire away. When you do this, you capture more emotions and actions from your subjects. They also feel more at ease, and the photos become more real and candid. Plus, you get a lot of photos to choose from in case you need to capture the best shot.

The Non-Rules of Photography: How You Can Enjoy the Experience More

September 4th, 2008

Long ago, Lomography.com listed ‘8 Golden Rules of Lomography,’ rules which may very well apply to photography in general. Technically, they are labeled rules but to those who practice photography, they are more like guides to breaking the formulated rules in taking pictures — right composition, accurate lighting, sharpness, what-have-you’s. They focus more on enjoying the experience of shooting and capturing.

So let’s go with the non-rules.

Take your camera wherever you go. In the park, the flea market, your school, your office, your friend’s bridal shower, in the laundry shop — everywhere. As long as you have your camera in your hand, everything around you starts to have a different color and story about them that just craves to be captured on film.

Use it anytime — day and night. They say that the best times to take a photo is at dawn or at dusk because it offers fantastic lighting. But anytime of the day is just fine. Don’t worry about night photography for the darkness of the night has its own charms.

Photography is not interference in your life. On the contrary, it’s a significant and integral part of it. The results of your photography are wonderful signs that you are alive.

Try the shot from the hip. You don’t need to always look through the viewfinder to get a good picture. Have more freedom in terms of perspective and you just might be pleasantly surprised. Hand it up in the air or lower it down to the ground. No one’s stopping you!

Approach your objects as close as possible. One of the most striking photographic themes includes photos shot on macro. It’s great if your camera has a good macro feature, but if it doesn’t, who cares? Get close. People show more soul up-close, so does your pet, for instance.

Don’t think. Just shoot.

Be fast. Sometimes your money shot will only last a quarter of a second. Always be prepared to shoot and do it fast. Don’t worry about getting the right settings.

Don’t care about any rules. Actually forget about the rules. Discover your own kind of photography and define your own rules. Just do it, do it the way you want and do it now.

Do you follow any rules in your photography? Share it with us.

Who owns the copyright in a photograph? A quick overview for the printing industry

March 12th, 2008

Many of our clients express confusion over the issue of copyright. We are often asked to print pictures onto canvas in situations where the ownership of copyright may not be clear. This quick introduction to copyright law is an attempt to answer many of the questions we receive.

The Basics

Copyright in Australia is governed by the Copyright Act (1968). In certain cases, a range of international treaties also apply.

The two most important things to remember are:

  • Copyright applies to a photograph from the moment it is taken
  • copyright lasts for the life of the creator plus 70 years

Do I have to put the copyright symbol on my work?

Under Australian law, you automatically receive copyright protection by virtue of being the person who created the work. That protection applies even when where you have not included a copyright notice with the work.

However, including a copyright symbol or wording will make it easier for you if you ever need to take someone to court for a copyright violation. If no mark can be found on the work, the court will first require that you prove that you are the rightful creator.

Who owns the copyright for family or wedding photos?

Generally, the person who created a photograph or artistic work is the owner of copyright. However s 35(5) of the Australian Copyright act creates an exception for photographs taken after the 30th of July 1998.

If the photograph has been commissioned for a "private or domestic" purpose - the person who paid for the photograph (or client) is the owner of the copyright unless otherwise agreed.

In this case, "private and domestic purposes" includes photos of children, weddings and/or family members.

However, it is important to remember two things:

  1. If an agreement has been signed giving the photographer copyright ownership - the legislation will not apply.
  2. Where a client commissions a photographer to produce a work for "private and domestic" purposes - the photographer may still be able to prevent you from using the work in other ways (i.e. commercially)

Things to remember if you planning to pay a photographer to take a picture

  1. 1) Make sure you read any agreement carefully if you are planning on having a private photo taken. If you sign an agreement giving the photographer ownership over copyright - you will not be able to make any copies without their permission.

Things to remember for photographers:

  1. Unless you have explicitly signed an agreement with your client - you may not be legally entitled to enforce copyright restrictions if the work was for ‘private and domestic purposes.’ This may still apply where the client has not yet paid you for your work.
  2. However, even where you no longer own copyright you still have a range of ‘moral rights’ that can allow you to restrict certain uses of your artistic work.

Further resources:

The Australian Copyright Council has a great range of online fact sheets

For people wanting to make a detailed study you should examine the Copyright Act.